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Who Designed This
Place?: How a Nightclub's Design Affects the DJ
May 2001
A DJ friend, who is
a resident of a popular nightclub, recently received a bill from
a hotel for "playing the music too loud." It appears
that the club's sub-woofers, which are near a series of sliding
glass doors, can be heard by hotel guests approximately 1/2 mile
away. On this particular occasion, the hotel reimbursed its guests
and sent the club a bill. The nightclub, fearful of jeopardizing
its dance permit, then forwarded the bill to the DJ -- for "playing
it too loud." This very same nightclub is also famous for
its architectural design.
Why not send the architect
the bill?
Even though the club's
owners are extremely sensible, it was, after all, the architect's
design that placed the speakers near an open area. The DJ is
just trying to do his/her job.
As you can see, a
nightclub's design affects the DJ. In fact, there are many design
variables that can determine the extent to which patrons will
meet, drink, and dance. As a rule, the club's design has two
themes: (1) to get people to meet one another, and (2) to get
people to feel as comfortable as possible (i.e., to stay a little
longer).
Here are a few design
tips:
1) The "flow"
of a nightclub. Have you ever noticed that some nightclubs have
a pathway that tends to encircle the dance floor and/or club?
The purpose of the flow-path is to create a walk-way for customers
to meet one another (see Fig. 1). If it dead-ends, the customers
just stand there (i.e., boring) (see Fig. 2). Some clubs design
"tight areas" in the flow-path in order to force people
to bump into each other and meet.
However, safety considerations
also factor into the location of flow-paths (which are often
linked to fire exits), "tight areas," and other design
elements. Even if you're a DJ that promotes, you should always
consider the customers' safety (for example, read the sad case
of Commonwealth
v. Welansky).
2) How dark is the
club? If the club is dark, patrons must get closer to see one
another. Again, the theme is to bring people together and eventually
get them to dance.
3) Another way of
getting people together is loud music. The customers are less
likely to get intimate if they don't have to shout in each other's
ears.
4) Have you ever noticed
that most Las Vegas casinos don't have blue lighting, mirrors,
or clocks? This is because blue light (and to some extent green
light), as it's reflected on the skin, may make the person appear
unhealthy. The theory holds that If you're reminded of health,
you may leave (i.e., to go work-out the next morning). Mirrors
have the same psychological effect. A clock may remind the customer
that s/he has an appointment the next day. Again, they leave,
less dancers, and the DJ appears unable to hold the crowd.
5) The distance between
the customers' heads in a seating area and the nightclub's ceiling
height actually makes the difference between the feeling of a
"warm" and "cold" nightclub. This is why
many nightclub stools and tables are so high. Shorter tables
and couches are usually placed in low-ceiling areas. If the club
feels cold, people are less likely to stay (and hence, dance).
6) Fog 101. An architect
must factor the flow of the fog throughout the club (i.e., where
vents are placed). Fog not only helps the dance-floor lighting,
but it also tends to mask an empty room (i.e., the customers
don't see the empty areas on the other side of the club). Some
fog-juice manufacturers scent the fog to appeal to the patrons'
sense of smell. In addition, fog-juice may tend to dry
the patrons' throats, which may affect drink sales.
7) Background speakers.
Most large clubs tend to place small background speakers in the
back areas for three reasons: (1) To eliminate echo due to that
area's distance from the dance-floor speakers, and (2) To give
that area energy, and (3) To lure that area's patrons to the
dance floor whenever certain songs are played. As a DJ, you will
often have to leave the DJ booth to monitor the background volume.
8) Location of the
DJ Booth. Many club experts believe that the closer the DJ booth
is to the dance-floor, the more energy on the dance-floor (i.e.,
it has more of a live-act feel).
While there are other
variables, such as the number of bars (i.e., the more bartenders,
the quicker the drink turnover), the materials employed (i.e.,
wood is warm, metal industrial), or the location of the front
door (i.e., are patrons on the outside viewing an empty club?),
it should be noted that many clubs succeed without employing
any of these design strategies. Conversely, some clubs may adapt
all these strategies and still fail.
I suppose that in
addition to these design strategies, a club's advertising, service,
location, etc. will determine its success. Sometimes a club is
just lucky. In some cases, you may have to ask yourself questions
such as: Is the club busy because a popular club nearby recently
closed down? Is the club busy because it's the only club in the
area? Does the club have a niche (such as afterhours)? Finally,
does the club run competitive drink specials?
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