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Public Speaking for DJ's: Jeff Blackman Interview Part II

September 2004

Editor's Note: Whether it's "last call for alcohol," the cutting of the cake, or announcing next week's Oakenfold appearance -- at one point or another -- most club and mobile DJ's speak on the microphone. While speaking clearly at the right volume level is essential, the content of a DJ's speech is often as important as the song selection. This month's tip features one of the top public speaking coaches in the United States, Jeff Blackman. He is a speaker, author, success coach, broadcaster and lawyer. His clients call him a "business-growth specialist." If you hire speakers for your organization, please contact Jeff at: 847.998.0688, by e-mail: jeff@jeffblackman.com, or visit his Web site: www.jeffblackman.com and subscribe to his free e-letter, The Results Report. His new book, Stop Whining! Start Selling! is available wherever books are sold.

"Words Can Bring People Together" -- Jeff Blackman (during this interview)

Disc Jockey 101: How can a club or mobile DJ become a better speaker on the microphone?

Aside from the technical aspects of a microphone -- I let the audio engineers take care of that -- there are a couple of things. What you are really asking is what can a DJ do to best prepare for the event. First, get there early and know your environment and surroundings; Be willing to make changes, such as staging and lighting -- so that you can be seen. Staging and lighting are important considerations. You want to do everything that is conducive to an outstanding presentation, program, and performance.

A good DJ knows how to ride the roller coaster -- there are moments of emotion, excitement, and enthusiasm. When appropriate, the DJ knows when to be serious. All these things can occur during the course of an evening. It involves pacing and rhythm.

To actually learn how to speak, the best thing to do is to study other speakers. You should watch professional speakers on television. You can watch the political debates, and instead of the political message, watch people and their cadence, the rhythm, the use of language. You can watch televangelists -- believe it or not -- forget the nature of the religious message, but watch how they communicate, watch their body language, their choice of words, what activates an audience to get them excited, die, show affirmation or agreement. Thus, there are a lot of ways to learn about public speaking by observing others speak.

Disc Jockey 101: Do you believe that a DJ can be more effective if she or he is seen -- like being located in the center of the room?

It depends on the environment and it depends on the role of the DJ. Sometimes it's not necessarily the role of the DJ to be the center of attention, but instead, the coordinator of the attention. For example -- at a wedding -- the focus of attention should be on the couple. At a Bar or Bat Mitzvah, the focus should be on the boy or girl. At a corporate function, the focus is likely going to be on the members of the corporate leadership or the top sales professionals.

At the same time, the DJ needs to understand his/her role or purpose. The role should be to provide a seamless evening of entertainment. Therefore, a DJ can take a front seat or a back seat depending on what's really important to the decision-maker -- who hired you, what do they want you to accomplish, and what do they perceive your role to be?

One of my pet peeves is when you hear a voice at a venue and you don't know where it's coming from. Thus, when the DJ goes to the microphone -- they should see you, they should know where you're at -- as opposed to some voice that is coming out of some undisclosed area. That often happens, I'll find myself asking 'where the heck is the DJ, the master of ceremonies?' That's a reflection of the light and sound coordination and creating the right culture and environment. Those things require the right planning.

Disc Jockey 101: What can you suggest to help those DJ's that weren't gifted with a strong "radio" voice?

I'm lucky that I have a so-called 'radio' voice. There are things that can be done to improve your voice. When I was young, I took speech correction lessons. I literally worked two to three years on my "r's" and my "l's" until I could eventually enunciate, articulate, and communicate. I became fascinated -- at an early age -- with language and words. I had no idea that at the age of six, that my life in essence was being shaped.

The main thing is whatever your voice is -- that's your voice. Once you go beyond your voice, things such as language, intonation, inflection, expression, rhythm, and pacing. I know a lot of folks that have a great set of pipes, yet they're not very effective communicators. Their words don't stir emotion or create action.

Whatever your voice is, accept it, be proud of it. If there are things that you believe can make it better, then work on those things. It's a skill, it's a tool, and you have to use it effectively.

Disc Jockey 101: Your book, Stop Whining!, Start Selling!, became an Amazon.com bestseller in January 2004. In your opinion, why is this book so popular?

I can only give you the opinion of those that matter -- and that's the people that bought this book. I think that the reason it became a best seller quickly -- and the reason why it's continued to do well -- is because it works. Everything that's in that book is based on fact and experience. These are proven strategies that any individual -- including a DJ -- can use to make their business grow fast. The ideas are based upon sound, proven, practical, profit-producing principles that are ethical and effective.

Disc Jockey 101: So wedding DJ's that want to book more gigs or Club DJ's that want to market their skills should benefit from your book?

Absolutely. If you ask the DJ's that read Disc Jockey 101 what they do, they might answer "I'm a DJ." That's a bad answer. In Stop Whining!, Start Selling!, I address how you creatively respond to answer the question 'so what do you do?'

A DJ might look to respond by addressing the outcome of the results that you may help a customer attain.

Disc Jockey 101: So you are referring to a DJ, for example, that helps a customer to have a good time and escape from life's everyday problems?

If you're talking to a club owner, you might say 'I help your customers have a good time, escape from their problems, to have one of the most memorable evenings of their life, and I help you make more money then you ever thought possible.' That's one of the things that I teach in the book, which is how to respond to the question 'so what do you do?' Instead of telling the club owner about your scratching, mixing or technical skills, you may want to ask the owner 'so why do you want to have a DJ?' What image do you want to convey? What are some of your favorite songs? What do you want people talking about when they leave? Everything that you do is to help people attain just that.

The typical DJ may say something like 'I have over 15,000 songs to choose from.' Who cares? Maybe during the course of four hours you're going to play 40 or 50 songs. The decision-maker may want to pick the songs to start the evening, end the evening, and the songs they believe will get their customers on the dance floor -- to unite people.

A really great DJ asks great questions, such as 'what are the problems that you want to solve, the needs you want to fill, what are the dreams and goals that you want to have in your life?'

When someone throws a party, they want it to be really memorable. The DJ's job is to help them achieve that. By the way, in all stages -- before, during, and after the party. Your job is to be flexible, gracious, and courteous. We've been at events where the DJ refused to play a request. The DJ might say 'that really doesn't fit into the mix.' Who cares about their mix?

Many ways that Stop Whining! Start Selling! might help DJ's is the fact that there are strategies there that might help someone if they are serious about the business -- and to have their business grow fast. In addition, I write very conversational and folksy. The book is also inexpensive.

A good DJ knows what's going on in the world; has familiarity with other cultures; politics; society; and fashion. Because knowing all those things will help you to better relate to both the audience and the decision-maker. Good DJ's are also well read.

Click Here for Last Month: Part I
 
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Club of the Year

Disc Jockey 101 Nightclub of the Year 2004 is (tied): Club Space (Miami, Florida) and Fabric (London, UK).


Industry News

* Turntablism I (NC 500, Section 8201) will be offered at Scottsdale Community College beginning October 6, 2004. The class is taught by DJ Radar and has limited seating. Class fee is $79. To register, call 480-423-6321.

* The Nightclub and Bar Beverage and Food Trade Show will be held from October 25th to 27th at the Orange County Convention Center in Orlando, Florida. For attending information, contact: 888-966-2727.

* The Mobile Beat DJ Show and Conference takes place February 22-24, 2005 in Las Vegas, Nevada. Held at the Stardust Conference Center, early registrants can save by purchasing passes before October 15, 2004. To phone, call 525-385-9920 (M-F, 9am-5pm ET).


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