-
- Video
Turntablism and the Future of Clubbing
- by Rob
Wegner
Summer 2005
The DJ controls the mood
of a club.
During my discussion of
the
history of the DJ,
I stress that our profession has experienced three waves of growth.
This growth corresponds with trends in music and clubbing, as
well as technological innovation.
It is my belief that the
next wave of clubbing will be characterized by video turntablism.
To be more specific, advances in visual technology will revolutionize
the entire clubbing experience.
Background
In the early-70's, David
Mancuso set the standard for clubbing at New York's Loft nightclub
by creating the first sophisticated sound-system for a discotheque.
Along with his partner, Alex Rosner, Mancuso applied audiophile
techniques to commercial sound. As the authors of Last Night
A DJ Saved My Life point out, "the precision of the
sound system which Rosner and Mancuso created between them subsequently
became the accepted standard for every nightclub in the world"
(Brewster and Broughton, 1999:143).
It's time to set a new
standard.
In general, nightclubs
enjoy a commercial advantage over domestic sound and light systems.
However, the club advantage begins to diminish when consumer
technology enables a car's sound system or a home theater to
provide a superior experience. As clubbing consultant Jeff Rons
told me, "people are cocooning, they are staying at home."
He's right, potential patrons have cable and satellite television,
plasma TV's, Internet dating, downloadable DJ mixes, and more.
Compare this to DUI risks, the cost of valet, cover charges,
and drinks, as well as dealing with belligerent patrons and drivers.
In short, if a new wave of clubbing will emerge, the masses will
need a reason to get out of the house.
In an ideal world, it should
be about the music -- and watching a DJ perform. That may be
true in a few cases, however, our industry is heavily dependent
on numbers.
Innovation
While music video's are
not new to clubbing, the technology has evolved substantially
on both the player-performing end and the display-presentation
end.
On the player-performing
end, Pioneer's DVJ-X1 is essentially a turntable for
DVD's. With features such as quick start, auto beat
loop, a jog dial, reverse, pitch adjust, anti-vibration,
scratch capabilities, and more, the DVJ-X1 will likely become
the DVD equivalent of the Technics SL-1200MK2 DJ turntable (the
workhorse of the DJ industry). However, its current high-cost
($3,300 each) will limit "DVD turntablism" to the few
DJ's who are either wealthy or are fortunate enough to work for
a club with deep pockets. This means that those DJ's that can
adapt their turntablism skills to DVD's will likely become positioned
to be the next superstars (in fact, while he's not a turntablist,
VJ's such as Robert
Drummond are starting
to attain notoriety). It also means that their respective clubs
will benefit from the innovative audio and visual presentations
that will emerge.
On the display-presentation end, advances
in LED technology and pressure sensing technologies has led to
"an interactive dance floor that not only engages but responds
to club goers movements on the floor" (see Lightspace
Dancefloors).
In my opinion, this technology
will evolve to include LED-television quality images. In other
words, the DJ (VJ) will have the entire surface area of the club
as his or her canvas. This would include table-tops, floors,
walls, dance platforms, bar-tops, and more. In addition, the
evolutionary trend towards HDTV technology will enhance the experience
to unparalleled heights.
The Globalization of
Clubbing
I believe that it will
be possible to place cameras at various clubs throughout the
world -- and recreate a particular environment at a local club.
For example, clubbers in Miami could observe and hear (delayed
or in real time via high-speed Internet and cameras) the activities/music
of a club in London. The north, south, east, and west walls/scenes
of the Ministry
of Sound could
be viewed on the respective LED walls at your local club on Wednesday's;
while the scene's and sound's of Pacha could be experienced on Thursday's;
and so fourth.
In this sense, global DJ's
could -- theoretically -- perform "live" at several
clubs throughout the world simultaneously.
We could even take it up
a step and envision TransScreen or advanced holographic-3D views
of dancers, DJ's, and even customers (some
of whom may be able to assume a life-size 3D character [aka "avatar"]
and interact with real clubbers via the Internet -- or a hyper-advanced
version of virtualibiza.com).
It's also conceivable that
customers will be able to communicate and interact (on a mass
scale) with the DJ and management via cell-phones. Images, announcements,
and drink specials may be broadcast to customer cell phones,
while customers may text message requests or use their cell phones
to lease a room theme (i.e., colors and images).
Conclusion
In the Technics US
Final 2001 DVD,
DJ Swamp demonstrates how a DJ can apply turntablist skills to
a Pioneer CDJ-1000 CD deck, which is very similar to the
features on the Pioneer DVJ-X1 -- proving that turntablist audio
skills can be performed on similar decks, such as the DVJ-X1.
If video editing "on the fly" is added, the performance
takes on an added dimension. In other words, the era of the DVD
turntablist has arrived. It is those DJ's and clubs that adapt
to these innovations that will set the new standard for clubbing
in the not too distant future.
Resources
Brewster, Bill and Frank Broughton (1999) Last Night A DJ Saved My Life:
The History of the Disc Jockey. Grove Press.
Notes
Lightspace Dancefloors
photo provided courtesy of Lightspace Dancefloors
Related Links
* The
Lava Flow
Los Angeles VJ Blog
* Color
Kinetics
Intelligent LED Systems
* VJ
Torrents
Hi-Res VJ Clips
* Element
Labs
Versa Tile and Tubes, NeoFlex, and Zip Tubes and Panels
* Pioneer Electronics
Press
Release
on Video Switcher for DJ's/VJ's.
* Mayfair Cafe
in Montreuz, Switzerland Live Bar Webcam
* Next-Generation
DVD's and Beyond Still in Flux Linux
News
* B-Sure
USA LED
Floor Lighting
Industry
News
- * The International DJ
Expo will take place at the Atlantic City Convention Center on
August 15-18, 2005. DJ education seminars will cover issues affecting
bedroom, mobile, club, and remixer/producer DJ's. Sponsored by
DJ Times, DJ performances will include: The X-Ecutioners, Kurtis
Blow, Bad Boy Bill, DJ Swamp, Georgie Porgie, and more. To register,
contact 1-800-YES-7678 or visit http://www.djtimes.com/djexpo
-
* Disc Jockey 101 proudly sponsored
the Phoenix regional DMC
competition on
May 6-8, 2005. The event coincided with the Phoenix Street Dreams Hip Hop and Music festival, which
included local graffiti artists, breakdancers, and emcees.
-
- Photo at Right:
Third Place competitor DJ Lodus during the finals. Photo courtesy
of DMC
World,
© 2005.
-
- * Numark has plans to
release a dueling
iPod DJ Mixer that
is expected to retail between $250 and $350 (iPod's not included).
A prototype was apparently featured at the Frankfurt, Germany
Musikmesse 2005 show.
-
- * DJ and Turntablism classes
at Scottsdale Community College are scheduled for the Fall 2005.
MUC
135 (Live-Performance Disc Jockey Techniques) is a two-credit introductory course
taught by Disc Jockey 101's Rob
Wegner. Turntablism
I, which is offered through the college's Continuing Education department is taught by DJ Radar. Please note that at the time
of this writing, the dates and times for Turntablism I are pending
notice due to DJ Radar's scheduled historic performance at Carnegie
Hall on October 2, 2005.
-
- * Vestax is offering the
QFO, a circular turntable with an integrated 2-channel mixer
that was designed in collaboration with DJ Q-Bert and Thudrumble's
Yoga Frog. Vestax created the QFO at the suggestion of Q-Bert,
who wanted to create a new instrument for turntablists of the
next generation "to let them mix and scratch like playing
a guitar." See Thudrumble
-
- * Berlin's Love Parade
will attempt to make a return during the 2006 World Cup soccer
championship in Germany. See Deutsche
Welle (English
Edition).
-
- * Sony is working with
First4Internet to test a new CD protection technology that intends
on reducing piracy. First4Internet is consulting record labels
to determine a fixed number of burns/rips allowed per CD. See
CoolTechZone.com